She took from among the litter a faded photograph and handed it to Joan. “Odd,” she said. “I’ve just turned it out.” The suggestion that was forcing itself into her brain was monstrous—unthinkable. That, never possessed of any surplus vitality, and suffering from the added lassitude of illness, the woman should have become indifferent—willing to let a life that to her was full of fears and difficulties slip peacefully away from her, that was possible. But that she should exercise thought and ingenuity—that she should have reasoned the thing out and deliberately laid her plans, calculating at every point on their success; it was inconceivable.!

“Yes,” he answered. “And take her with me. Poor little girl.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

Beyond giving up her visits to the house, she had made no attempt to avoid meeting Phillips; and at public functions and at mutual friends they sometimes found themselves near to one another. It surprised her that she could see him, talk to him, and even be alone with him without its troubling her. He seemed to belong to a part of her that lay dead and buried—something belonging to her that she had thrust away with her own hands: that she knew would never come back to her. It was the task that had been entrusted to her. How could he hope to succeed without her. With her, he would be all powerful—accomplish the end for which he had been sent into the world. Society counts for so much in England. What public man had ever won through without its assistance. As Greyson had said: it is the dinner-table that rules. She could win it over to his side. That mission to Paris that she had undertaken for Mrs. Denton, that had brought her into contact with diplomatists, politicians, the leaders and the rulers, the bearers of names known and honoured in history. They had accepted her as one of themselves. She had influenced them, swayed them. That afternoon at Folk’s studio, where all eyes had followed her, where famous men and women had waited to attract her notice, had hung upon her words. Even at school, at college, she had always commanded willing homage. As Greyson had once told her, it was herself—her personality that was her greatest asset. Was it to be utterly wasted? There were hundreds of impersonal, sexless women, equipped for nothing else, with pens as keen if not keener than hers. That was not the talent with which she had been entrusted—for which she would have to account. It was her beauty, her power to charm, to draw after her—to compel by the mere exercise of her will. Hitherto Beauty had been content to barter itself for mere coin of the realm—for ease and luxury and pleasure. She only asked to be allowed to spend it in service. As his wife, she could use it to fine ends. By herself she was helpless. One must take the world as one finds it. It gives the unmated woman no opportunity to employ the special gifts with which God has endowed her—except for evil. As the wife of a rising statesman, she could be a force for progress. She could become another Madame Roland; gather round her all that was best of English social life; give back to it its lost position in the vanguard of thought. “About Protection,” she answered. “It’s one of the few subjects I haven’t made up my mind about.”